Updated- Karen Wins 2009 Center for Photography at Woodstock’s Photographer’s Fellowship

Update:

Here is a link to the web page announcing the award. There is a statement by the Juror, Hannah Frieser, as well as web versions of all of the images in the McCann Family series.





Karen was awarded a $2500 fellowship as the 2009 recipient of the Center for Photography at Woodstock’s Photographer’s Fellowship.

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The award was made as part of the CPW’s annual gala. Karen won this fellowship based on her submission of 10 color photographs from her McCann Family series. Executive Director of the CPW, Ariel Shanberg, read Karen’s artist statement and then projected  the images for the audience of more than a hundred gathered for the Gala Auction.

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Griffin Photography Museum – The McCann Family by Karen Davis

GRIFFIN GALLERY THE MCCANN FAMILY – PHOTOGRAPHS BY KAREN DAVIS

Sept. 11 – Nov. 2, 2008

(borrowed from press release by Griffin Museum)karen_motherdreams


When Karen Davis was small, her younger sister, Cheryl, had a set of four mechanical dolls she called the McCann Family. After Cheryl died a few years ago, Davis inherited the dolls and made them the subject of a series of photographs. The McCann Family is featured in the Griffin Gallery of the Griffin Museum September 11 through November 2. The photographs are part of a visual memoir by Davis that is a work in progress. The mechanical dolls, she says, were “a thinly disguised version of the Davis family. There was a boy doll, girl doll, man and woman doll.” The Davis family had a mother and father and two girls, so Cheryl decided she was the boy doll, Tom McCann. Karen Davis was the girl doll, Mary Ann McCann.  When Cheryl, who was born with spina bifida, died, the McCann Family and all their possessions went to Davis. “It has taken most of my lifetime to appreciate the courage and imagination of my sister,” Davis says. “Placing the McCanns on stage – directing their actions, brings me back to our childhood and to memories of an extraordinary woman.” “The McCann Family is a poignant visual tribute to the Davis family,” says Paula Tognarelli executive director of the Griffin Museum of Photography. “Karen Davis spins her familial tale through the poetic capacity of her photographs. Her images move and charm the viewer all at the same time.” Davis, of Cambridge, MA, is a photographer, book artist, and educator. Her work is featured at the Massachusetts

Museum of Contemporary Art (MASS MoCA); Houghton Rare Books Library, Harvard University; Boston Drawing Project at Bernard Toale Gallery; and in corporate and private collections. Her work can be seen on her website, www.YesThatKarenDavis.com. Davis teaches photo-based and word-image courses for Lesley Seminars at Lesley University in Cambridge, MA. She is also a principal in artistmarketing.biz, which specializes in websites and other marketing services for artists. An opening reception with the artist is Sept. 11, 7-8:30 p.m. It is open to all. The reception is preceded by a members-only talk with Davis at 6:15 p.m. Please RSVP by September 4.Tommy's World - photograph by Karen Davis (c) Karen Davis 2008

Louis Faurer Retrospective – street photographer

Addison Gallery Phillips Academy, Andover, MA

Louis Faurer Retrospective (thru July 28, 2002)

Two rooms filled with black and white pictures predominantly from the 1930′s thru the 1950′s. A lesser known street photographer, Louis Faurer, like Robert Frank and others, produced many of the photographic images that form the visual backdrop to our mind map of those times. Faurer’s work was completley unknown to me until this visit. The work stands on its own both from a content and technical perspective.

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Louis Faurer, The Accident, Lexington Avenue, New York City, 1952, gelatin silver print, courtesy Museum of Fine Arts, Houston

(This photo is actually the result of an error. It is a double exposure. The chalk outline on the street is an earlier picture of an accident with the chilled boy taken later.)







broadst

(The title for this picture on the gallery’s web site is incorrect. Unfortunately I do not have the correct information. Probably from the 1930′s in New York City. One of many photos Faurer took of beggars, indigents, and others down on their luck)

(both pictures borrowed from the Addison Gallery web site without permission)